Understanding Lunar Maxima: Ancient Insights Explained

Stone Age astronomy focused on celestial time cycles and natural units, allowing astronomers to develop intricate cosmic meanings. As civilizations advanced, attention shifted to space and scientific models, diminishing the intimate connection to time. Notably, the development of megalithic measurements reflected their unique perception of time, emphasizing a geometric understanding of their environment.

figure 1: The north-east quadrant of the horizon from the megalithic sites of Carnac. At that latitude, alignments to the solar and lunar extremes followed a simple geometry of multiple squares, repeated in all four quadrants, the observer in this quadrant being placed bottom left.

It was most fortunate for the stone age astronomer that the time periods surrounding the earth could be counted in whole numbers of natural units such as the solar day, the lunar month, and the lunar orbit. Over longer periods, whole number fractions would become whole, revealing special cosmic numbers, then symbolic of the cosmic time periods associated with planets, eclipses and other coincidences, so that a large matrix of relationships gave the Stone Age a world of meanings in the sky based upon time and number.

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Understanding the Kaaba: Ark, Pole, and Time

The post discusses the prophet Mohammad as the last prophet of Allah, emphasizing the origins of Islam in Mecca, the role of the Kaaba, and its connections to Abraham and Ishmael. It explores the Kaaba’s symbolism as an Ark, its geometric significance, and how it represents a divine relationship with time and celestial events, illustrating the intertwining of religious and astronomical concepts.

first published 2016
now part of chapter 8 of Sacred Number: Language of the Angels (2021)

The prophet Mohammad declared he was the last prophet of Allah, a name resembling the El Shaddai (trans. Lord God, KJV), the god of Abraham in the Bible. Mohammad galvanised the Arabs and nearby nations with an original religion, branching off from the start of the Patriarchs found in the Bible’s first book, Genesis. His story follows Ishmael, the first son of Abraham, from whom the Arabs believe themselves descended.

The Kaaba of Abraham (left) and Mohammad

Mohammad’s religion of Islam (“salvation”) started in Mecca where he received visions of angels and spontaneously recited suras (verses) which became the Quran and associated texts. An unknown history of Abraham and Ishmael emerged, intimate with Mecca, long a spiritual center for the Arabic world. Mecca’s principle monument, the Kaaba or “cube”, has taken a number of forms. Adam located it as a dolmen created by God when Adam was formed; Ishmael built the next design for his father, “open to the sky”, using surface stones from nearby mountains; and Mohammad’s dispensation adds ancient stories about cubic arks and located these as a renewed Kaaba, the prime center, or Pole of redemption for the world.

The three keys here will be the Kaaba as an Ark, the Pole (Qutub) and model of Great Time.

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Kilclooney More Dolmen

The text discusses an Irish dolmen and the use of megalithic measurements related to sacred geometries and lunar cycles. It explains the significance of various lengths and units, such as the megalithic rod and Assyrian foot, in the context of ancient cultures and their alignment with astronomical events, particularly around eclipses and lunar months.

image above: I made myself a kind of information board for this well known Irish dolmen.

This subject, of Irish megaliths has been on hold since perhaps 2020 due to other work.

The Metrology

At that time I was working on Sacred Geometries in Ancient Goddess Cultures (Heath, 2022) and using a new, very-small unit of 3/100 (0.03) feet, found to be in practical use in Britain in a circle called Seascale (in Cumbria, see pages 109-113, 138-140 of Sacred Geometries: Language of the Angels (2018) : namely the su-shi, one sixtieth part of the historical Assyrian double foot of 1.8 feet (0.03 feet), and 30 in the foot of 0.9 feet.

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Easter Aquhorthies

Easter Aquhorthies (i.e. apocathery) has eleven stones in a circle and in between the two south-to-south-west stones is a large (bridging) recumbent stone, more commonly found in Scottish circles  and associated (by Alexander Thom) to lunar observatories because, in Scotland at lunar maximum standstill, the moon can rest upon or be hidden by a raised horizon.

Picture by krautrock, a member of megalithic.co.uk in June 2010.

Figure 1 Alexander Thom’s site plan, with cardinal directions and highlighting the diameter .

It is tempting to assume geometry within stone circles and this one invites that by having eleven regularly placed stones,. However, 11 is rarely found in regular geometries or stone circles.

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Goddess of Time in the Sky

Explores the relationship between ancient astronomical practices and megalithic cultures, highlighting how early societies understood time through celestial cycles. It contrasts matrilineal hunter-gatherer societies with later patriarchal agricultural ones, suggesting that megalithic structures reflect deep, sacred knowledge of the cosmos and have influenced subsequent architectural designs across civilizations.

Above: (center) The form of the Minoan “horns of consecration”, on the island of Crete, followed (outside) the form of the manifestations of Venus in her synodic period.

Time appears to march on at what seems a constant rate. In this way time has two opposite directions, the somewhat known past and the largely unknown future. However, events in the sky repeat and so they can be predicted as seasons within a year or lunar phases within a month. Even before modern calendars, stone age humans counted the days in a month to understand recurrence of the menstrual period and know when moonlight would be strong again at night.

Figure 1 (above) L’Abri Blanchard Tally Bone 30,000 BP with (below) Alexander Marshack’s interpretation, showing marks as days shaped to express the moon’s phase, over 59 whole days or two lunar months.

Two months happen to equal 59 whole days: a lunar month is 29.53 days long, just over twenty-nine and a half, which is half of 59. In the artifact shown on the top of figure 1, each day was carved upon a flat bone, each mark appearing varied in shape and depth to show the moon’s changed phase on a given day. The flat bone enabled a cyclic shape to be used, of 59 marks, which “ate its own tail”: showing there were always the same number of days in two “moons”. This sameness emerges from dividing the recurring time of the solar day into the time of the month’s phases over two months, to give the recurring whole number of 59, then forever useful as a knowledge object.

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Is Sacred Geometry A Message From God?

Just after Summer Solstice, Michael Quu and I recorded a conversation for his “Learn Something New” podcast and this is available, as below.

The conversation was balanced between ancient and modern, numbers and metaphysics in a way that seems necessary to make sacred geometry more relevant to the modern situation while revealing what the ancients discovered in the world of astronomical time.