Chartres 3: Design of West Façade

The design of the twin towers of Chartres point to an extraordinary understanding of its designers, quite unlike pre or modern understandings of the outer planets and their harmonic ratios. We have already seen a propensity for using the ordinary English foot to indicate days-as-feet within the structure. The Façade hosts what is perhaps the most famous “rose window”, though it was only in later centuries that it would be termed thus, as the cult of the Virgin Mary became more widespread. But this cathedral was strongly dedicated to the Virgin, when built.

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Using Circumpolar Marker Stars

The marker stars within the circumpolar or arctic region of the sky have always included Ursa Major and Ursa Minor, the Great and Little Bear (arctic meaning “of the bears” in Greek), even though the location of the celestial North Pole circles systematically through the ages around the pole of the solar system, the ecliptic pole. In 4000 BC our pole star in Ursa Minor, called Polaris, was far away from the north pole and it reached a quite extreme azimuth to east and west each day, corresponding to the position of the sun (on the horizon in 4000 BCE at this latitude) at the midsummer solstice sunrise. This means angular alignments may be present to other important circumpolar stars in some of the stones initiating the Alignments at Le Menec, when these are viewed from the centre of the cromlech’s circle implicit in its egg-shaped perimeter.

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Le Menec: as Sidereal Observatory

Today, an astronomer resorts to the calculation of where sun, moon or star should be according to equations of motion developed over the last four centuries. The time used in these equations requires a clock from which the object’s location within the celestial sphere is calculated. Such locations are part of an implicit sky map made using equatorial coordinates that mirror the lines of longitude and latitude. Our modern sky maps tell us what is above every part of the earth’s sphere when the primary north-south meridian (at Greenwich) passes beneath the point of spring equinox on the ecliptic. Neither a clock, a calculation nor a skymap was available to the megalithic astronomer and, because of this, it has been presumed that prehistoric astronomy was restricted to what could be gleaned from horizon observations of the sun, moon, and planets.

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Chartres 2: the harmony in its towers

In the previous post, the difference in height of the two towers was seen to have an exoteric and an esoteric meaning. Exoterically, the taller tower is sometimes called the sun tower, probably because the globe at its top (below its cross) is about 365 feet-as-days (hence representing the sun and its year). From this fact, the lower tower was considered lunar , since the lunar year is “not as long” and so less high. However, one must go to the top of the cross on the lower tower to achieve the height of 354.367 feet-as-days (hence representing the moon and its year).

This article presents a deeper meaning, that the difference in the full heights of the two towers represents the musical intervals of the synods of Saturn and Jupiter, relative to the lunar year: cunningly encoded within the full height of the solar tower as the Saturn synod of 378 feet-as-days, which is 16/15 of the lunar year. To have made the taller tower higher, to achieve the Jupiter synod, was impractical so that, instead, Jupiter was symbolized by the lunar year of 12 lunar months while Saturn was 12 “months” of 28 days, the 336-foot high globe of the moon tower, as shown below.

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Chartres 1: the cosmic coding of its towers in height

The lunar crescent atop the “moon” tower’s cross.

Chartres, in north-west France, is a very special version of the Gothic transcept cathedral design. Having burnt down more than once, due to wooden ceilings, its reconstruction over many building seasons and different masonic teams, as funds permitted, would have needed strong organizing ideas to inform the work (as per Master Masons of Chartres by John James).

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